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Larasby Kotek

Principle 4 of 4

Aesthetics

Kotek should feel like the instrument it teaches: warm metal on dark carved wood, ornament with a reason, and motion that rings and then settles.

Guidelines

  1. 1

    One family

    Gold on brown, and nothing else for the chrome. Color beyond it is reserved for meaning: the two voices and the judgement of a strike.

  2. 2

    Ornament that interlocks

    The carved motif runs in two rows, one hanging and one standing, half a motif apart, so they fit together like teeth. It's the interlock kotekan is built on, drawn as a pattern.

  3. 3

    A voice and an interface

    Katibeh carries the voice in titles and headings; SF Pro carries the interface. Back links and step counters stay in SF because they are interface, not voice.

  4. 4

    Glass for controls, never for content

    Controls that float over the instrument or the waterfall are Liquid Glass; cards, lists and everything else in the content layer stay solid. That's Apple's rule for the material, and it keeps the glass meaning something: this floats, and you can press it.

  5. 5

    Soft edges, space as structure

    No hairline under the top bar. On a dark ground with generous space between cards, a rule draws a boundary the layout already made, and puts a hard edge across a screen whose character is soft.

  6. 6

    Motion that rings

    The splash gangsa plays a real kotekan, not random notes: a struck key glows and decays like bronze, and the free hand damps it as the next one lands. Ambient motion runs on the render server so it never stutters while the app is busy.

In practice

Do

  • Keep new chrome inside the gold-on-brown family.
  • Give motion a physical reason: a strike, a ring, a damp.
  • Use the system's Liquid Glass, not a hand-made imitation.

Don't

  • Add a new accent color for decoration.
  • Separate content with lines where space already does it.
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